Sharon Hope Weintraub's
Bawdy Bisques and Naughty Novelties: German Bathing Beauties
and Their Risqué Kin
As the Victorian era passed into the
Edwardian and Roaring Twenties, a market developed for bisque and china
bawdy novelties and figurines of women in revealing outfits. Although now
most of these figurines seem more coy and cute than ribald and risque, in
their time they symbolized the casting off of the perceived restraints of
the Victorian era. These little lovelies included bathing beauties, who
came clad in swimsuits of real lace or in stylish painted beach wear, as
well as mermaids, harem ladies, and nudies, who were meant to wear nothing
more than an engaging smile. Also produced were flippers, innocent appearing
figurines who reveal a bawdy secret when flipped over, and squirters, figurines
that were meant to squirt water out of an appropriate orifice. Most were
manufactured in Germany from the late 1800s through the 1930s, often showing
remarkable artistry and imagination, with Japan entering the market during
World War I.
Special Annoucement!
The Austin
Doll Collectors 33rd Annual Doll Show and Sale will take place Saturday,
October 4th, at the Travis County Expo Center in Austin, Texas. Please come,
and tell all your friends!
Lovely Ladies and Others from My Collection
(please check back each month for new pictures!)
Updated 9/1/08
Click on each picture for a larger image!
One question I often get from fellow bathing beauty collectors is where
to buy new wigs to replace their treasured bathers' missing tresses. Although
these bisque belles look charming without their bathing suits, they do look
rather odd with bald pates. I have never found a source for suitable tiny
wigs, and over the years learned to make my own, using the original mohair
wigs from some of my Galluba and Hofmann bathers as models. So this month
I explain my wig-making technique.
You will need self-adhesive bandage gauze to make the
wig cap. I found my gauze in the first aid section of the local Walgreens.
Suitable mohair is harder to find, but via eBay I have purchased a good
quality imported English mohair that comes loosely woven around string.
The mohair has a silky sheen, a nice soft wave, and comes in a variety of
attractive colors. For this demonstration, I used blonde mohair and dark
brown thread so that the steps would be easier to see. For your wig, you
will want to a use thread that closely matches the color of the mohair,
making the stitches all but invisible.
The model is a beautiful half doll by Galluba. She
is 3.5 inches high. Start the wig cap by cutting a small circle out of the
gauze. Cut a slit in the circle from one edge to the center, then, overlapping
the edges of the slit, form a skullcap fitting closely over the top of the
pate.
Using small strips of gauze, build up the rest of the
wig cap. The cap should cover the top of the head, with the edges forming
the hairline. Even out the edges of the cap with sharp scissors.
Unraveling a strand of mohair, place it across the
front of the wig cap from ear to ear. You will want the strand long enough
to form a ponytail that, when doubled over, will cover the back of the head.
It is better to overestimate, because you can always trim off the extra.
You can fluff up the mohair by gently tugging on the ends or carefully separating
the strands a little bit. Don't overdo it, because you will end up with
a frizzy mess. Blonde does not really suit this half doll; I usually select
a color that best matches the eyebrows or complements the doll's complexion.
Form a center part by, starting under the wig cap,
stitching the mohair to the wig cap. Be careful handling the cap, because
the gauze with adhere to itself. The stitched mohair should cover approximately
the front half to third of the wig cap.
Pull the two strands back (but not too tight), and
tie them together at the nape of the neck, forming a double pony tail. Lock
the two strand ends together by fitting the waves into each other. Very
tightly and securely tie the ends of the strands together (you may want
to wrap the thread around the ends several times before tying), trimming
off the excess mohair close to this knot. After tying the knot, leave one
long strand of thread still attached.
Thread this remaining strand of thread into a needle
and pull the needle through the wig cap, just at the base of the pony tail.
As you pull the needle through, the pony tail will
fold double, bunching up to form a loose chignon. After pulling the thread
tight, secure it with a couple of stitches under the wig cap at the nape
and tie it off under the cap.
Hold the folded pony tail against the cap, so that
it covers the back of the head and meets the edge of the stitched mohair
across the front. Coming up from under cap, the secure the folded edge to
the end of the center part with a stitch. Still coming up from under the
cap, use a couple of more stitches as needed to hold the folded mohair in
place against the back of the head. The appearance should be that of a coiled
chignon. Using small, very sharp scissors, carefully trim away any fuzzy
hairs sticking out (but be careful not to cut the wig itself). Using a needle
or pin, carefully pull down the mohair strands around the face to shape
and soften the hairline (but don't overdo it!).
Here's our model in her new auburn mohair wig, made
using this technique.
The back of the wig gives the appearance of a loosely
coiled chignon, similar to the style found on many old Galluba wigs.
The Books
Now available from Schiffer
Books
, Bawdy Bisques and Naughty Novelties: German Bathing Beauties and
Their Risqué Kin. This in-depth photographic
study showcases the extraordinary variety of these antique figurines and
will help collectors and dealers discover the rich history behind them.
The 208-page hard cover book, with 410 color photographs, provides the decorative
details, size, and a current value range for each figurine. In
addition to chapters on the history of the bathing suit and how these naughty
novelties were manufactured, the book covers many different makers, with
pictures of their products, such as Galluba and Hofmann, William Goebel,
Hertwig and Company, Gebruder Heubach, J.D. Kestner, A.W. Fr. Kister, Dressel,
Kister, and Company, New York and Rudolstadt Pottery, Schafer and Vater,
Carl Scheidig, Bruno Schmidt, Carl Schneider Erban, Sitzendorfer Porzellanfabrik,
Ernst Bohne Söhne, and Weiss, Kühnert, and Company. Other chapters
include: Beauties and Beasts, picturing pretty ladies caressing their
precious pets; I Love Little Pussy, Her Coat is So Warm. . . . ,
a play on the affectionate name for a kitty cat and vulgar slang for female
privates, these femmes all feature strategically placed felines; Cock-A-Doodle-Doo!,
more prurient word play, this time with little ladies enjoying themselves
with very big . . . roosters; The Embarrassing Sisters, the Five
Barrison Sisters in their musical act combined schoolgirl innocence with
sexy suggestiveness, and a number of bisque figurines were based on these
bawdy belles of the Gay 90s; Black Beauties, picturing scarce dark-skinned
damsels; Diving Belles, no pose better displays the feminine form
than a graceful dive, and this chapter pictures shapely swimmers all assuming
this pretty position; A Glimpse of Stocking, ladies whose long, lithe
legs are clad in black stockings; Jeepers, Creepers, Where'd You Get
Them Peepers?, bathing belles with big bright googly eyes; Mermaids
and Sea Sirens, the original bathing beauties; A Moving Experience,
bathing beauties with jointed limbs; Some Real Swingers, flirty females
who swing through the air rather than simply sit on a shelf; One Thousand
and One Nights, sultry sultanas and exotic odalisques; Salomania,
the name for the Edwardian obsession with the deadly dancer of the Bible,
this chapter features figurines inspired by this ancient princess, including
those modeled on interpretative dancer Maud Allan in her most famous role,
"A Vision of Salome"; Too Much Maid, porcelain parodies
of Paul Chabas' painting "September Morn" by Campbell Kid creator,
G.G. Drayton; Working Girls, pretty ladies with a utilitarian purpose,
from pincushions to power boxes; The Flip Side, innocent appearing
figurines who reveal a sexy secret when flipped over; Hidden Treasures,
lift the lid on these bawdy boxes to reveal a risqué interior; and
Little Squirts, figurines that were meant to squirt water out of
an appropriate orifice. The book retails for $39.95. Want your book autographed
by the author (me, of course!)? E-mail
me your snail mail address and I will send you an autographed
bookplate (please be sure to tell me who you want the book plate autographed
for).
(NOW OUT OF PRINT!) Naughties, Nudies, and Bathing Beauties is
the first refeence book to cover bathing beauties and their sultry sisters.
The book features 184 photographs, almost all of figurines from my own collection.
Each category of collectible is discussed in detail, as are manufacture
and manufacturers and the social changes that brought about the demand for
these naughty novelties and risque bisques. Although this book is now out
of print, Amazon
Books may be able to locate a copy through its book search. I have also
been told that some copies may be available from Barnes and Noble. This
book also often offered through eBay.
Let Me Hear From You
Are you a fellow lover of these elusive little lovely ladies? Have any
questions or comments? Want to suggest another antique doll link? E-mail
me at bblady@onr.com. (That stands for
"bathing beauty lady.") I am always interested in purchasing fine
quality naughties, nudies, or bathing beauties (as well as French or German
all-bisque dolls), individually or as a collection!!! Also, I am always
on the lookout for old German manufacturers' catalogues showing these figurines.
Additions and Revisions (updated 7/14/08)
Fakes, Fantasies, Reproductions, and Reissues
(updated 6/8/08)
The collecting world, especially the on-line auctions, has been overrun
with reproduction bathing beauties and related novelties being wrongly represented
as old. To try to address this flood of fakes, I have created a web
page setting out my suspicions regarding possibly bogus bathers and
their questionable kin. Check this page regularly for updates, and, if you
know of any reproductions or reissues, please feel free to send me information.
As more collectors and dealers become familiar with these reproductions
and reissues, it will be harder to pass off the reproductions as originals.
However, collectors must be aware that there are now very good reproductions
on the market, educate themselves as to what is available, and exercise
a little more caution before making a purchase.
Artistic Reintroductions (updated
3/7/07)
A number of companies, as well as very talented porcelain artists, are
introducing new intepretations of bathing beauties, nudies, and mermaids.
These companies and artists do not attempt to pass their reissues off as
old and proudly mark all their products. Unfortunately, some nefarious dealers
or collectors are removing these marks or otherwise trying to pass these
reproductions off as old originals (one tactic often used in misrepresenting
artists' reissues as old is for the seller to gush over the figurine's beauty
and desirability, suggesting in every way the lady in question is a rare
and collectible item, but coyly never actually mentioning the figurine's
age). It is important for collectors to educate themselves about possible
reproductions. And if you know of other artists recreating these lovely
little ladies, please send me the information so I may add their links to
this list.
Elaine Kewin is producing new interpretations
of a number of bathing
beauties and mermaids, including a nubile nude with molded hair that
is a copy of an original by Hertwig and Company and a reclining lady with
a mohair wig that is a copy of a beautiful bather by Galluba and Hofmann.
A skilled artist with a delicate touch, Ms. Kewin produces figurines and
dolls in both precolored and tinted bisque; they are accompanied by paper
labels and are signed and dated in an inconspicuous place, such as the back
of the head or on the foot.
Australian artist Maree Massey, creates not only life-like children
of bisque, but also lovely ladies, adorned with intricate outfits of lace
and ribbon. Her wigged bathing beauties appear to be modeled on bathers
from Galluba and Hofmann and A.W. Fr. Kister. Massey is also reproducing
naughty nymphs from Schafer and Vater's black-stocking series. Examples
of her wonderful work are on display here
and here.
Mundial Company
out of Belgium offers reproduction baigneuses (bathing beauties), poupees
(all-bisque dolls) and demi-figurines (half dolls), all copies of German
originals. Note that many of these reproductions are made to look worn and
dirty, to give these new items the look of authentic age (and also to disguise
the rather poor quality of most of these repros). Many of these new "old"
items are appearing on online auctions such as eBay, and even in antique
shops and at antique shows.
Heidi Schaefer is creating beautiful voluptuous
bade-damen, as well as pretty teepuppen,
using molds from Heinz and Company. Her exquisite creations are extremely
limited and signed.
The SLO Mermaid Company
is making new bisque versions of antique aquarium ornaments for collectors
who cannot find or afford the scarce originals.
The German Doll Company
(GDC) website comes and goes; at the time I am revising this page for October,
it is down. This company has reproduced bathing beauties and mermaids
from old molds found in a German factory of Weiss, Kühnert, and Company.
The quality of the bisque and decoration of these repros is very good; good
enough, in fact, to fool many collectors. There are a number of rare and
desirable items, including a mermaid on an alligator and a merman mounted
on a seahorse. In addition to the fine quality, the pieces are very reasonably
priced. The GDC originally marked its products with a fired-in blue roly-poly
clown symbol. However, unscrupulous dealers remove the mark and resell these
reissues as antiques. The GDC's reissues can be differentiated from
the originals because, frankly, the GDC's products are often much finer
than the old pieces. The bisque is smoother, the complexion coats rosy and
evenly applied, and the faces beautifully painted. Many of the originals,
such as the little mermaids and bathing beauties, were mass-produced inexpensive
novelty items; the bisque did not have the satiny smoothness of the GDC's
products and far less attention was paid to the painting, especially the
facial features. In some cases, the GDC has produced the item in different
material and colors from the originals. The revised website focuses on GDC's
Kewpie reproductions and makes no mention of the Weiss factory. These figurines
are showing up frequently at antique shows and on-line auctions, sans any
GDC mark, and new versions seem to be appearing in Germany and Belgium.
Be sure to visit my Fakes,
Fantasies, Reproductions, and Reissues web page and scroll down to the
Weiss section, which includes pages from an original catalogue. Look at
these catalogue pages carefully and exercise extreme caution before purchasing
any figurine that appears there, especially if the bisque or china and painting
are of good quality. Original Weiss products were of merely average to mediocre
quality.
And, for those of you who would like to try your hand at making your own
lovely ladies, Jean Nordquist has molds
and supplies.
Announcements (updated 6/07/07)
COPYRIGHT NOTICE: All writings and images appearing on this web site,
unless expressly stated otherwise, are the sole and exclusive property of
Sharon Hope Weintraub and may not be used by any other person for any or
all purpose or purposes without first obtaining her expressed written consent
and permission.
DOMAIN NAME: I am mistress of my own domains! You can now reach this page
at the much easier to remember (and type) URL http://www.bawdybisques.com
or http://www.bblady.com
Articles (updated 7/14/08)
The July 2008 edition of Antique
Doll Collector contains my article , "Genevieve Pfeffer and
Her Alluring Girlies," which sets out the history of the once hugely
popular, but now largely forgotten, Splashme bathing beauty dolls.
The May 14, 2008, edition of The
Antique Trader features an interview of me by Catherine Owsianiecki
regarding bathing beauties and mermaids. The article is illustrated with
several examples from my collection.
The April 2007 edition of Antique
Doll Collector contains my article , "Petite Pets: Anthropomorphized
All-Bisque Animals by Hertwig and Company," which features tiny cat,
bear, bunny, duck, and monkey dolls, all in their original crocheted clothing.
There is a short one-page article, entitled "Beach Babes," in
the November edition of Coastal
Living magazine. The article quotes yours truely and pictures two
bathing belles from my collection.
My article, "The Stunning Bisque Sisters of A.W. Fr. Kister,"
appears in the August 2006 issue of Antique
Doll Collector magazine. The article concerns the extraordinarily
exquisite bisque bathing belles attributed to this little known factory.
Lot of pictures of these elusive lovely ladies, including one that won a
blue ribbon at the United Federation of Doll Clubs annual convention in
Dallas in July 2006!
In the November 2005 issue of Antique Doll Collector is my article
entitled "Tiny Treasures and Miniature Marvels" discusses the
tiny bisque dolls (under two inches tall!) in elaborately crocheted costumes
produced by German companies such as Carl Horn Nachf and Hertwig and Company.
The article includes lots of pictures of these most diminutive
dolls.
The October 2000 issue of Antique Doll Collector magazine
includes an article by me called "Good Things in Small Packages,"
about a family of all-bisque dolls manufactured by Hertwig and Company,
found in their original box.
Another article by yours truly appeared in the April 1999 edition of the
same magazine; entitled "German Fish Tank Fantasies," it focuses
on German bisque mermaids and features lots of color pictures of these fabulous
finny femmes (along with a rare merman and two merchildren!).
In the January/February 1999 issue, I have an article entitled "Half
Sisters." The article shows how the German firm of Galluba and Hofmann
modified some of its bathing beauty molds to create elegant half dolls,
which were used to decorate pincushions, candy boxes, and other items. The
article includes several color pictures of beautiful bisque bathers and
their equally lovely "half sisters."
Other Bathing Beauty, Antique Doll, and Other Links (updated
6/8/08)
Antique Doll
Bulletin Board Bonnie Bull's "Flower
Frog Gazette," an on-line newsletter for flower frog fans.
Elaine Kewin creates
charming new versions of beautiful bathing beauties and sultry sea sirens.
Polly and her fabulous
flower frogs.
The Antique & Collectible Exchange,
lots of links to antiques and collectibles.
United Federation of Doll Clubs
Vickie Little's
wonderful web site picturing fantastic figural powder boxes.
Mundial Company offers
reproduction baigneuses (bathing beauties), poupees (all-bisque dolls) and
demi-figurines (half dolls).
Jean Nordquist,
bathing beauty molds and doll making supplies.
Heidi Schaefer recreates
beautiful bade-damen and pretty teepuppen based on old molds.
Sheaelle Batchelder's
bevies of beautiful boudoir dolls.
The SLO Mermaid Company,
new bisque versions of antique aquarium ornaments .
For you fans of cats and/or Japanese antiques, please visit my maneki
neko page (updated 6/8/08).
In November of 2007, I was able to fulfill a life-long dream and travel
to the Galapagos
Islands. I have posted some pictures from my trip.
More Weintraubs on the Web
(updated 7/14/08)
Professor
Russell Weintraub (father), University of Texas School of Law
David Weintraub (brother),
a Weintraub World web page. His political blog, Goodbye
Dick, is dedicated to Vice President Dick Cheney and providing the current
veep helpful hints of where he can retire to after his term ends. If you
would also like to suggest where Dick can go, "Photoshop" a pic
of our veep visiting the recommended location and submit it to David's blog.
Steven Weintraub (brother), "The
Mooncalf of Chelm"
Elon Weintraub (nephew),
"The Cold Hard Facts"
You will need self-adhesive bandage gauze to make the
wig cap. I found my gauze in the first aid section of the local Walgreens.
Suitable mohair is harder to find, but via eBay I have purchased a good
quality imported English mohair that comes loosely woven around string.
The mohair has a silky sheen, a nice soft wave, and comes in a variety of
attractive colors. For this demonstration, I used blonde mohair and dark
brown thread so that the steps would be easier to see. For your wig, you
will want to a use thread that closely matches the color of the mohair,
making the stitches all but invisible. 
The model is a beautiful half doll by Galluba. She
is 3.5 inches high. Start the wig cap by cutting a small circle out of the
gauze. Cut a slit in the circle from one edge to the center, then, overlapping
the edges of the slit, form a skullcap fitting closely over the top of the
pate.
Using small strips of gauze, build up the rest of the
wig cap. The cap should cover the top of the head, with the edges forming
the hairline. Even out the edges of the cap with sharp scissors.
Unraveling a strand of mohair, place it across the
front of the wig cap from ear to ear. You will want the strand long enough
to form a ponytail that, when doubled over, will cover the back of the head.
It is better to overestimate, because you can always trim off the extra.
You can fluff up the mohair by gently tugging on the ends or carefully separating
the strands a little bit. Don't overdo it, because you will end up with
a frizzy mess. Blonde does not really suit this half doll; I usually select
a color that best matches the eyebrows or complements the doll's complexion.
Form a center part by, starting under the wig cap,
stitching the mohair to the wig cap. Be careful handling the cap, because
the gauze with adhere to itself. The stitched mohair should cover approximately
the front half to third of the wig cap. 
Pull the two strands back (but not too tight), and
tie them together at the nape of the neck, forming a double pony tail. Lock
the two strand ends together by fitting the waves into each other. Very
tightly and securely tie the ends of the strands together (you may want
to wrap the thread around the ends several times before tying), trimming
off the excess mohair close to this knot. After tying the knot, leave one
long strand of thread still attached.
Thread this remaining strand of thread into a needle
and pull the needle through the wig cap, just at the base of the pony tail.
As you pull the needle through, the pony tail will
fold double, bunching up to form a loose chignon. After pulling the thread
tight, secure it with a couple of stitches under the wig cap at the nape
and tie it off under the cap. 
Hold the folded pony tail against the cap, so that
it covers the back of the head and meets the edge of the stitched mohair
across the front. Coming up from under cap, the secure the folded edge to
the end of the center part with a stitch. Still coming up from under the
cap, use a couple of more stitches as needed to hold the folded mohair in
place against the back of the head. The appearance should be that of a coiled
chignon. Using small, very sharp scissors, carefully trim away any fuzzy
hairs sticking out (but be careful not to cut the wig itself). Using a needle
or pin, carefully pull down the mohair strands around the face to shape
and soften the hairline (but don't overdo it!).
Here's our model in her new auburn mohair wig, made
using this technique. 
The back of the wig gives the appearance of a loosely
coiled chignon, similar to the style found on many old Galluba wigs.